The World’s Largest Native American Art Market

Santa Fe

Indian MARKET

AUGUST 15TH &16TH 2026

Event Information

SWAIA Artist wearing a cowboy hat and a blue button-up shirt is smiling at a woman with long blonde hair, wearing a black top and holding a Native American-style art sculpture at an outdoor event or market.

The 104th Annual

SANTA FE INDIAN MARKET

Now in its 104th year, the Santa Fe Indian Market (SFIM) is the largest and most prestigious Native art market in the world. Each August, more than 1,000 Native artists from over 200 Tribal Nations transform the streets of Santa Fe into a vibrant celebration of creativity, community, and culture.

Visitors can explore original works in a wide range of mediums—jewelry, pottery, textiles, painting, sculpture, and more—while meeting the artists who make them. SFIM also features live performances, food vendors, cultural demonstrations, and family programming.

The art market is free and open to the public.

2026 SANTA FE INDIAN MARKET SPONSORS & PARTNERS

COMING SOON

A detailed bronze sculpture of a buffalo is displayed indoors, surrounded by colorful award ribbons and certificates on a wooden stand, with artwork in the background at an art exhibition.

Windswept by Regina Free (Chickasaw Nation), 2025 Best of Show Winner

SWAIA Is where the world meets tHE Top Native artists.

Each year, Santa Fe Indian Market brings together more than 1,000 of the most celebrated and emerging Indigenous artists from over 200 Tribal Nations. Held each August in downtown Santa Fe and produced by the Southwestern Association for Indian Arts (SWAIA), Indian Market is the largest and most prestigious Indigenous art event in the world—welcoming tens of thousands of visitors for a weekend of fine art, fashion, film, and cultural exchange.

A cornerstone of the weekend is the Best of Show program, which honors outstanding achievement in juried categories ranging from pottery and jewelry to textiles, painting, and sculpture.

The top prize—Best of Show—is proudly sponsored by Mark Sublette of Medicine Man Gallery.

A brief History of the SANTA FE INDIAN MARKET

The story of Santa Fe Indian Market traces back to a larger cultural movement to introduce Native art to broader audiences. At the 1915 Panama-California Exposition in San Diego (commonly known as the San Diego World’s Fair), Pueblo potters like Maria and Julian Martinez participated in high-profile demonstrations that modeled what would become early institutional approaches to Indigenous art presentation—structured, curated environments designed by anthropologists and cultural organizations.

In 1922, the Museum of New Mexico and the School of American Research (now the School for Advanced Research) organized the first Southwest Indian Art Fair and Industrial Arts and Crafts Exposition in Santa Fe. These early fairs helped elevate public interest in Native arts, but artists had limited control. Work was submitted by traders, judged by non-Native experts, and sold without direct artist involvement. Pricing and interpretation were handled externally, with Native artists themselves largely absent from the conversation.

That changed in 1931, when the final Indian Fair was held under the portal of the Palace of the Governors. For the first time, Native artists were invited to sell their work directly to the public—marking a pivotal shift toward artist agency. This moment predated the Indian Reorganization Act (IRA) of 1934, a landmark federal policy that supported tribal self-governance and greater economic self-determination, including the right to form tribal businesses and manage creative production. While the IRA laid important legal groundwork, Indian Market had already modeled what a Native artist-led marketplace could look like—visionary in both concept and execution.

The legacy of those early decades continues today. What began as a curated exhibition has become a dynamic, artist-centered marketplace that positions Native artists not as subjects of interpretation, but as leaders, entrepreneurs, and cultural innovators.


Indian Market continues to lead—not just as a historic institution, but as a living model for the future of the fine art world.

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